what is postmodernism in literature

In 1996, Walter Truett Anderson described postmodernism as belonging to one of four typological world views which he identifies as: (a) Postmodern-ironist, which sees truth as socially constructed. Other post-structuralists include Jacques Derrida, Pierre Bourdieu, Jean-François Lyotard, Julia Kristeva, Hélène Cixous, and Luce Irigaray. [citation needed]. "[105], Christian philosopher William Lane Craig has said "The idea that we live in a postmodern culture is a myth. Thinkers who have been called structuralists include the anthropologist Claude Lévi-Strauss, the linguist Ferdinand de Saussure, the Marxist philosopher Louis Althusser, and the semiotician Algirdas Greimas. It could also imply a reaction to significant post-war events: the beginning of the Cold War, the Civil Rights Movement, postcolonialism (Postcolonial literature), and the rise of the personal computer (Cyberpunk and Hypertext fiction). Author on postmodernism, Dominic Strinati, has noted, it is also important "to include in this category the so-called 'art rock' musical innovations and mixing of styles associated with groups like Talking Heads, and performers like Laurie Anderson, together with the self-conscious 'reinvention of disco' by the Pet Shop Boys".[95]. Modernism sought to design and plan cities which followed the logic of the new model of industrial mass production; reverting to large-scale solutions, aesthetic standardisation and prefabricated design solutions. The American cultural theorists, critics and intellectuals whom they influenced include Judith Butler, John Fiske, Rosalind Krauss, Avital Ronell, and Hayden White. Multilingual bibliography by Janusz Przychodzen (PDF file), Modernity, postmodernism and the tradition of dissent, by Lloyd Spencer (1998), A Sunday Afternoon on the Island of La Grande Jatte, Historiographical Institute of the University of Tokyo, Heroic theory of invention and scientific development, https://en.wikipedia.org/w/index.php?title=Postmodernism&oldid=991131164, Short description is different from Wikidata, Articles that may contain original research from February 2018, All articles that may contain original research, Articles with unsourced statements from July 2020, Articles with unsourced statements from September 2018, Articles needing additional references from September 2012, All articles needing additional references, Articles with multiple maintenance issues, Articles lacking reliable references from May 2019, Articles with unsourced statements from May 2019, Wikipedia articles needing page number citations from February 2020, Articles with incomplete citations from February 2020, Creative Commons Attribution-ShareAlike License. The intellectual scholarship regarding postmodernism and architecture is closely linked with the writings of critic-turned-architect Charles Jencks, beginning with lectures in the early 1970s and his essay "The Rise of Post Modern Architecture" from 1975. Though this is now a less common usage of "postmodern", references to these writers as "postmodernists" still appear and many writers associated with this group (John Ashbery, Richard Brautigan, Gilbert Sorrentino, and so on) appear often on lists of postmodern writers. Fabulation is a term sometimes used interchangeably with metafiction and relates to pastiche and Magic Realism. Metafiction is often employed to undermine the authority of the author, for unexpected narrative shifts, to advance a story in a unique way, for emotional distance, or to comment on the act of storytelling. are sometimes listed as postmodernists. "[103] Similarly, Dick Hebdige criticized the vagueness of the term, enumerating a long list of otherwise unrelated concepts that people have designated as "postmodernism", from "the décor of a room" or "a 'scratch' video", to fear of nuclear armageddon and the "implosion of meaning", and stated that anything that could signify all of those things was "a buzzword". The Bitter Oleander Journal, Volume 22, No 1, Spring 2016, Fayetteville, NY, John Barth. Richard Caputo, William Epstein, David Stoesz & Bruce Thyer consider postmodernism to be a "dead end in social work epistemology." Criticisms of postmodernism are intellectually diverse and include arguments that postmodernism promotes obscurantism, is meaningless, and that it adds nothing to analytical or empirical knowledge. (d) Neo-Romantic, in which truth is found through attaining harmony with nature or spiritual exploration of the inner self. [82] Jencks makes the point that Post-Modernism (like Modernism) varies for each field of art, and that for architecture it is not just a reaction to Modernism but what he terms double coding: "Double Coding: the combination of Modern techniques with something else (usually traditional building) in order for architecture to communicate with the public and a concerned minority, usually other architects. For example, metafiction and pastiche are often used for irony. "[27], The 1980s, however, also saw several key works of postmodern literature. Kurt Vonnegut also commonly used this technique: the first chapter of his 1969 novel Slaughterhouse-Five is about the process of writing the novel and calls attention to his own presence throughout the novel. Why Orwell matters, Basic Books. [citation needed] For others the beginning is marked by moments in critical theory: Jacques Derrida's "Structure, Sign, and Play" lecture in 1966 or as late as Ihab Hassan's usage in The Dismemberment of Orpheus in 1971. Various elements, concerning plot, characters, themes, imagery and factual references are fragmented and dispersed throughout the entire work. He used automatism to create his novel Nadja and used photographs to replace description as a parody of the overly-descriptive novelists he often criticized. In the 1970s a group of poststructuralists in France developed a radical critique of modern philosophy with roots discernible in Nietzsche, Kierkegaard, and Heidegger, and became known as postmodern theorists, notably including Jacques Derrida, Michel Foucault, Jean-François Lyotard, Jean Baudrillard, and others. More broadly, "Beat Generation" often includes several groups of post-war American writers from the Black Mountain poets, the New York School, the San Francisco Renaissance, and so on. [4] Postmodernism relies on critical theory, which considers the effects of ideology, society, and history on culture. In it, he follows Wittgenstein's language games model and speech act theory, contrasting two different language games, that of the expert, and that of the philosopher. It can be seen as a representation of the chaotic, pluralistic, or information-drenched aspects of postmodern society. The Role of Rhetorical Devices in Postmodernist Discourse. [45] Thus the French structuralists considered themselves to be espousing Relativism and Constructionism. It is the generation by models of a real without origin or a reality: a hyperreal. CS1 maint: multiple names: authors list (. [72], In Analysis of the Journey, a journal birthed from postmodernism, Douglas Kellner insists that the "assumptions and procedures of modern theory" must be forgotten.

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