telefunken tf47 vs tf 51

Hey guys! AK-47 MKII, and the CU-29. Check the other threads for descriptions of these mics compared to the RFT series (discontinued) and TF's higher end models. I described the original AR-51 to have a feathery top end, and the 2014 capsule update added smoothness and a fuller low end capture. According to Telefunken, “These changes provide a more open and transparent response. Note that Telefunken also offers a stereo version of this mic, the R-F-T AR-70. Each one shares a direct lineage to a past R-F-T incarnation, and in some cases, a famous classic Diamond Series cousin. Despite their sharing of bodies and packaging, these are not simply variations on a single mic design. On drums, the TF47 is better suited to front of kick, or as a mono room mic, where it takes compression quite well. Similar in each mic is the use of UK-made polystyrene film filter caps, a Sprague output cap, and a Nichicon Fine Gold cathode cap. This is my third time reviewing this microphone. Except for the cardioid-only TF29, each mic is a multipattern tube microphone. I’m pleased that they’re quite different from one another, and they really do hit their familial targets quite well. I started with some side-by-side comparisons of the entire Alchemy family. Selecting the TF47 tightened up the lows while thrusting the upper bite of the acoustic and the vocals forward. I tracked a song with all of the mics in a close capsule star pattern on a full song of small-body Gibson acoustic guitar, female vocals, shakers, and percussion. The TF47 is not intended to be a U47 clone; rather, it’s a modern design that falls into the U47 family of sound. This is a reliable first choice for stand out vocals, acoustic instruments, and percussion. The TF47 uses an all-brass K47-style center terminated capsule. Save 9.8%, MSRP $2838.00 Be the first to write a review. NAMM 2014: Slate Digital Introduces The VIRTUAL MICROPHONE SYSTEM, Slate Digital Launches The VIRTUAL MICROPHONE SYSTEM. Call 044-28193445 for ... the ""German"" voiced TF47, and the ""Austrian"" voiced TF51. Conditions. Telefunken TF51 & TF47. … The Telefunken TF51 large-diaphragm tube condenser mic is a fresh take on the classic "Austrian" sound associated with vintage Telefunken ELA M 251E and C12 microphones. The newly designed kits are quite impressive. Twenty years ago, Telefunken Elektroakustik opened its doors in South Windsor, CT, and returned the Telefunken ELA M 251 to production after almost forty years. 1. It boasts improved low end frequency response and lower THD figures than its predecessor, due to a better impedance match to the 6072A. It’s much better than the usual off-the-shelf aluminum briefcases that come with most microphones in this price range. While it offers the classic U47 thrust and tonality, it doesn’t sound rough, dusty, or vintage in any way. In 1941 AEG bought Siemens & Halske, and in 1967 Telefunken were merged with AEG and the company renamed AEG-Telefunken. Over a decade, the line would grow to include the AR-51, AK-47 MKII, and the CU-29. The microphone and accessories live in a compact hard nylon carry case measuring 10.5 x 13 x 5.5″. The R-F-T line was launched in 2005, combining global sourcing and US assembly/testing, bringing Telefunken sound and quality to a budget-conscious price point. Telefunken were set up in Berlin as a collaboration between Siemens & Halske and the General Electricity Company and by 1939 the parent company had a staff of over 23,000 workers. When you buy products through links across our site, we may earn an affiliate commission. It’s more robust, and designed to fit the components comfortably with no cramming or overstuffing. the Tf-47 is a tube microphone from telefunken. Its midrange response is gently scooped by less than 1dB, and then it displays a 1dB rise at 3kHz that falls back to zero at 6.5kHz, followed by a 2.5dB peak at 10kHz. On guitars, it depends where you want the instrument to sit in the mix and what you’re trying to capture. There’s also a microphone dust cover, a high-flex 7-meter cable, and a US-assembled power supply. Seriously, Telefunken is going to have to send some burly German Elektroakustik Repo She-Devils to retrieve it, ‘cos I ain’t giving it back. From there, the curve rolls off quickly. Switching to the TF39… stay tuned for a future review of my results! With a deep low end and a forward midrange, the TF47 is excellent for adding depth and presence to any source. The Alchemy series comprises four models: The TF47, TF51, TF29, and TF39. TF51 The TF51 is a fresh take on the “Austrian” microphone sound associated with the TELEFUNKEN ELA M 251E and C12. When switching between mixes made with each mic, it was like turning a focus or tone knob. They include two mounting options: a hard ring mount, and an open-faced shock mount. TELEFUNKEN TF47 (Demo Deal) The Telefunken Elektroakustik TF47 is a new design based on the "German” sound, drawing inspiration from the historic U47 and M49. TF47 has a K47-style capsule, not used in any RFT mics. I think there are few users at the moment. This marks a significant change from the previous AK-47 MKII, which used a K67-style capsule. Now the R-F-T line becomes the Alchemy Series. Alchemy microphones share the same brass body, head basket, and 7.87″ x 1.81″ profile. For this review, we’ll be focusing on the TF47 and TF51. The TF47 is a new design based on the “German” sound, drawing inspiration from the historic U47 and M49. Telefunken Elektroakustik Alchemy Series TF47 & TF51. © 2020 Music Maker Publications, Inc. All rights reserved. The R-F-T line was launched in 2005, combining global sourcing and US assembly/testing, bringing Telefunken sound and quality to a budget-. Telefunken mentions that the new K47-style capsule is “…just as punchy in the mids, but the high end is smoother and a bit less ‘in your face’ with a fuller low end.”. We first looked at the R-F-T AR-51 in November 2010, when it was based around a TK67 capsule.

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