The microphone contains two (18Hz to 25kHz) rectangular dual membrane cap... A variable pattern tube (valve) microphone with a rectangular capsule. Universal microphone shock-mount suitable for microphones weighing up to 750 grammes & between 18mm and 55mm in diameter. The diaphragm is 1.1' and gold evaporated. Whatever his views, they will be listened to very carefully. The housing is machined br... A large (1.07') diaphragm studio microphone using an edge-terminated capsule. Featuring fine resolution and outstandin... Side-address cardioid condenser microphone for studio recording and live sound. It uses a JFET impedance converter with bipolar output buffer. A 1' large diaphragm studio microphone with FET electronics. The 25mm diaphragm is 6 micron gold-sputtered and the electronics are all-FET with a t... A side-address studio microphone. The DRK-mac has an MXL Mic Boost interface. The LANGEVIN CR-2001 is Manley's entry model cardioid capacitor microphone, very handy for recording just about anything. The large gold-vaporised dual diaphragm design can be switched to omni... A large-diaphragm tube design that does not need a dedicated power supply - it operates from 48V phantom power. The capsule is a 25mm gold-sputtered single diaphragm type. The extremely... A large diaphragm studio microphone at an economical price. The PML-DT40 is a rectangular capsule microphone with a dual diaphragm. He is said to want to bring 100 of his former American colleagues to manage London's transport, currently run by what Ken Livingstone has cuttingly described as "dullards". This externally polarised, switchable condenser is a linear descendent of AKG's original C 24 stereo microphone. Now ensconced in a £2m house in Belgravia and on £2m four-year contract, Kiley is rising to meet the challenge before him. The M3 is a large diaphragm studio microphone. I used a Jensen DB/E transformer since it fits neatly into the space occupied by the MXL… A tight toler... An affordable large capsule cardioid condenser microphone. The polar pattern is multi-pattern. You can do this mod on all sorts of the Chinese mics, and probably others. A single-pattern tube (valve) large-diaphragm studio condenser microphone. The TLM 103 is the ideal large diaphragm microphone for all professional and semi-professional applications requiring the utmost in s... A digital version of the TLM 103. The capsule is 1' gold vapour deposited. It uses a closed-loop unity-gain impedance converter with JFET... An improved version of the original NT1. The 1.1' diaphragm is gold-evaporated and the capsule is machined brass. The variable pattern (9 possible) can be disabled to give a fixed (single ... A fixed cardioid pattern microphone with a 1' transducer. One of my concerns with the 2001 is if the harshness is cured by the royer mod. The capsule is flush mounted into the surface of a sphere, and this unique design giv... A studio microphone using the same K67 dual diaphragm capsule as the 1960's U67 studio workhorse. The dual diaphragm capsule is a 34mm edge-terminated type. His four-year contract started on Monday. This condenser mic has a large (1') gold-sputtered diaphragm, with FET preamp and balanced transformer output. For several years, Rycote InVision mounts have been available for narrow-barrelled shotgun and stick microphones in broadcast and videography applications, but not until 2010, and the release of the striking Universal Studio Mount (USM) was there an InVision™ shock-mount capable of accommodating large-diaphragm recording microphones for use in recording studios. It is a classic large diaphragm des... For more information on this specific microphone, go to Neumanns website at http://neumannusa.com. Even normally grudging New Yorkers say he did a good job.". The concept was that the MXL 2001 had a very good capsule, but its guts weren't that great. The Aston Origin is a high-performance cardioid condenser microphone utilising a one inch (1″) gold evaporated capsule. The 'Silicon valve' design uses a FET electronics to emulate a valve-sound. The response... An externally polarised 1' pressure gradient condenser for studio use. On the other hand, I saw alot of folks mentioning that the Apex sounds a little weird in the hi's and lo's even after the tube … If you can manage it, I can't recommend the 2001 mod enough. I have … The E250 takes many of the qualities of the Elux 251 and fits them into a microphone that is specifically designed for close use (<... A cardioid-only version of the Elux251. MXL’s V67i Tube is essentially a tube-amplified version of the V67i. The TLM 193 is a large diaphragm microphone that continues Neumann's long tradition as well as offering high-end technology at an aff... A studio microphone based on the legendary M50. With Bonnie Bedelia, Nancy McKeon, Lisa Vidal, Jon Hamm. T... A single pattern cardioid condenser with a lollipop-style all-brass capsule. The capsule is a 32mm 6 micron gold sputtered type. The circuit design utilizes a sp... A dual diaphragm top-of-the-line tube microphone. The capsule is a k67 ... A transformerless FET condenser microphone offering multi-pattern operation. Even normally grudging New Yorkers say he did a good job, Gene Russianoff, New York Straphangers' Campaign. The MOD were mostly Phone Phreaks: folks who had fun with the telephone system. The Tube takes a billion passengers every year. It was originally done to a Marshall MXL 2001 … The design uses a fixed-charge bakplate l... A 'budget friendly' studio microphone with a variable pattern. The A-51TC features a large 1' diameter capsule. If it is not, Kiley says, he might go elsewhere. His first wife and two children died in a car crash. Transforming PC case by Asus and In Win Most of the more wild case mods dispense with practicality right away. MXL Microphones offer the best variety of condenser / ribbon / … The electr... A studio microphone styled on a vintage '251'. You're replacing everything except the body tube, windscreen, and capsule. It is similar in electronic design to the A-51TC but nine switched polar patterns a... A large diaphragm fixed cardioid microphone related to the Vienna but with a 1' 6 micron capsule. The Perception 400 is a studio microphone with three selectable patterns. I conduted extensive tests on this microphone and found some very nice mods for this … The U99 is a large diaphragm multipattern tube microphone featuring continuously variable pattern selection at the power supply. It uses a transformerless ou... A large diaphragm studio microphone with a flat response and ultra low-noise transformerless FET electronics. The micropho... Rycote Originals - The Lyre® Microphone Suspension, A universal mic mount - fits any large-diaphragm recording microphone from 18 to 55 mm in diameter. Tony Travers believes that such foreign intervention is overdue. Indeed, a third of workers in central London use it daily. If you … A dual diaphragm design with a 1' capsule which can be selected to either an omni or a cardioid pattern. It uses an externally polarised 19mm capsule ... A large diaphragm studio microphone. The video below from YouTube channel Ocean Powell serves as a launch trailer for the mod and runs down a lot of what it offers. For, rather than being some unknown Yank brought in on a mere whim by the mayor, Bob Kiley comes with a formidable personal track record: he is the man credited with saving the New York and Boston subway systems. It can be run from its own supply or P48 phantom (with a slightly reduced max... A studio microphone inspired by the AKG C12. What with the England football team and, until recently, the Millennium Dome in the hands of an overseas manager, Robert Kiley's appointment might indicate yet another sea-change in British culture. A large diaphragm studio microphone with a 'bottle' shape. Very large capsule microphone for low frequency instruments such as kick-drum, double bass and tenor saxophone. He left the CIA in 1970 and went into management. It... A true condenser microphone of classic design. The electronics are... A large diaphragm studio microphone that emulates a vintage '251'. The PML-CT40 is a rectangular capsule microphone with a dual diaphragm. Tony Travers, director of the Greater London Group at the London School of Economics, says that "it is difficult to exaggerate the scale of the problems Bob Kiley inherits". I miss the large diaphragm tube mic I built in 2004, a modified MXL-2001 microphone. The project won BitTech’s coveted Mod of the Year in 2011. It's in the TapeOp archives as an article titled "Two tube mics, one from Berlin and one from Barstow."