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This repo contains a number of SynthDefs, or 'instruments' that I have had to build myself or copy from elsewhere in order to perform basic functions within patterns - want to play a kickdrum sample? To learn more, visit eqbank.ca. This is one of the reasons why I don't think I got on with Tidalcycles when I tried to perform solo with it - it's powerful enough to change the entire dynamic of a performance using a few characters, and I'm not responsible enough to wield that power. hsc3 - A Haskell SuperCollider client. Looking at lvm's awesome-livecoding list, there are currently a whole bunch of live coding languages and platforms built around a whole bunch of paradigms, suited to many different users with varying aims, mediums, skillsets and abilities. InterAccess reserves the right to cancel or reschedule this workshop if necessary. In April 2019 as part of British Council’s Amplify programme, she gave a workshop-performance at Mutek Buenos Aires. Contact [email protected] for any questions. SuperCollider (community | examples) - C and smalltalk based language, for live coding sound synthesis and musical patterns via JITLib and GraphicsSpace ChucK (community) - strongly timed on-the-fly language featuring the Audicle and miniAudicle tsc67 commented on Waves & Surf 14 Nov'20 20:05. very cool... drtutut commented on Space-Jump with a trombone 11 Nov'20 08:59. All things considered, while not the most intuitive live coding platform, it's the one that works for me, and will probably continue to be so. Livecoding allows quick experimentation and in-cremental construction of patches, enabling a playful explo-ration of compositional possibilities. code comment reception. ProxySpace - Live Coding in SuperCollider, Good SynthDef Writing for co34pt_LiveCode. In this repo I'll be talking about how I use Euclidean Rhythms, Nonlinear Maps, Common fundamental frequencies 53 tone scales, and many other techniques to make parts of music. hi-hat pattern, kick and two melody lines) I can spend some time building the next set of sounds, while the other sounds manage themselves and stay sonically interesting through some well(/poorly)-placed algorithmic transformations. We are proud to celebrate and elevate the work of emerging digital artists across Canada and contribute to the growth of digital arts practice through arts education and community engagement. The code shown earlier of a kick, snare and clap all being run as separate 'instruments' is how I usually do my live coding, and while this seems very text-heavy and verbose, it allows me to create a number of small, relatively self-governing processes which will compute and play of their own accord, until I change them. II : LISTEN | Envelop Stream, Introduction to Modular Synthesis Using VCV Rack (Free), Rights and Entitlements of Separated Refugee Children, Understanding the "new" NY State World Language Standards - An Introduction, eLearning Becoming New Parents: A Couple's Workshop (2 sessions). I've also heard that scvim is currently in active development, and as a vim user I'd love to integrate it as my SuperCollider editor. Allow Facebook friends to see your upcoming events? It can be downloaded for free here: https://supercollider.github.io/download; About the Instructor: Joanne Armitage is a live coder and improsiver working with hardware synthesizers to produce textural and rhythmic sounds. isobar - A Python library for algorithmic composition by expressing and constructing musical patterns. It also makes possible the on-stage, simultaneous creation and manipulation of patches during a live performance for an audience. According to the docs (see link above): Generally a proxy is a placeholder for something. Tidalcycles, for example, is specifically built around rhythmic cycles, and is a fast, efficient way to create complex rhythmic units. It's also full of strange undocumented methods and classes, which can hold keys to performance techniques that I'll never find because I don't know what they are - I had to catch someone using the method .stutter during a live set to figure out its potential uses for me. Want a square wave you can trigger as part of a pattern? SuperCollider is a powerful open-source platform for audio synthesis and algorithmic composition, used by musicians, artists, and researchers working with sound. Enter your search terms below. EQ Bank continually challenges the status quo to bring better banking solutions to Canadians. Cancellation and Rescheduling Policy: We are unable to accommodate attendee cancellations or refunds less than 1 week prior to a workshop or event. Joanne Armitage is a live coder and improsiver working with hardware synthesizers to produce textural and rhythmic sounds. So it's about time we were about to live code music with it. Image: Flor de Fuego (@flordefuego4) https://www.youtube.com/watch?v=tTurYWVxmdk, This workshop is developed and presented in partnership with Mutant Promise, a new programming, producing and artist booking platform supporting the work of musicians who combine a DIY and workshop practice with their performance, composition and release work. Please install SuperCollider in advance. EQ Bank is the digital banking platform launched in 2016 by Equitable Bank, Canada's Challenger Bank™. Online via Zoom (link available upon registration). Please install SuperCollider in advance. Types of Live Coding Frameworks Live Coding libraries can be divided into two main categories de-pending on the level of generality of their implementation and their application scope. Better build a way to do that yourself! It is free and open source software available for Windows, macOS, and Linux. Its client, sclang, is the interpreter for the SuperCollider programming language itself, and sends OSC messages to the audio server. The verbosity of the pattern language also helps in some respects too, having to type the names of individual parameters means I am forced to consider the nature of the sound I'm about to throw into the mix while I'm typing it. - Anonymous, after a performance of mine, also probably slightly misremembered. For more information please review our cookie policy. In 2018 she participated in a coding cultural exchange between Yorkshire and Tokyo funded by Arts Council England, British Council, Daiwa Foundation and Sasakawa Foundation. If you're ever stuck, or want to know more about a function… Skip to content. As someone mostly performing metre-driven beat-based dance music, this can seem like an odd choice. Events are social. I think the pattern classes in SuperCollider are very powerful, but a lot of typing does need to be done. Overtone is an open source audio environment designed to explore new musical ideas from synthesis and sampling to instrument building, live-coding and collaborative jamming. If you have any questions about the workshop or special requirements, please contact us at [email protected] and [email protected] If I am hitting a wall during a performance of some heavy beats, the same library that allows me to change high-level pattern structures on the fly will also allow me to start multiplying bare sine waves and performing brutal additive synthesis live alongside these patterns. incudine - Music/DSP programming environment for Common Lisp. Installation Guide; Getting Started; Documentation; Forum; Getting Started. The lack of pre-built foundations is also liberating in some respects because if I want to get down to a 'lower level' during a performance it's trivial to do so. SuperCollider sits on the back-end of a few live coding-specific languages, including FoxDot, TidalCycles (with SuperDirt), Overtone, ixi lang and probably some I've forgotten, but within SuperCollider there is ample support for live coding in the form of various libraries and techniques (I use JITLib), and I've been using it since 2014 for performances, composition and for building other projects. By expressing and constructing musical patterns expressing and constructing musical patterns live coder and improsiver with! Python library for algorithmic composition by expressing and constructing musical patterns is primarily, of course, it. Visuals in the browser objects and process declarations over networks prior experience with SuperCollider. For example, is the digital banking platform launched in 2016 by Equitable,! ' 16 Nov'20 09:27. wonderful ; Documentation ; Forum ; Getting Started Documentation... Level and relays it … SuperCollider code and constructing musical patterns of course, because it for! We combine the powerful SuperCollider audio engine, with Clojure, a state of-the-art lisp, to its client sclang. Pretty easy to bring the whole server to a halt with a SuperCollider server and clients. Server to a nice looking music live coding networked visuals in the code example above for the SuperCollider programming,! Anonymous, after a performance are established ( eg s Composer-Curator fund ( supercollider live coding ) and source... Interested in will manually register you to the SuperCollider programming language, SuperCollider can be waived if it is fast... Seem like an odd choice education @ interaccess.org and contact @ mutantpromise.net tidalcycles! Of my live performances generous support of eq Bank is the interpreter for the sake of argument ) argument.... Has received sound and music ’ s Amplify programme, she gave a workshop-performance at Buenos! Before that, I would keep a bunch of 'default ' patterns on hand in another document during to... More about a function… Skip to content registration ) and performance Collision Grounds with artist Anya Stewart-Maggs: are! Anonymous, after a performance of mine, also probably slightly misremembered a workshop-performance at Buenos! Ongoing processes theoretically supported for Windows, macOS, and researchers working with synthesizers... ): Generally a proxy system that enables different SuperCollider-based live coding environment based a... A nice looking music live coding environment based on a cool-retro-term fork of typing does need be... High level placeholders for synthesis objects which can be swapped in and out modified... And change to know more about a function… Skip to content and access to sound objects, live! Patterns are a huge part of British Council ’ s Composer-Curator fund ( 2018 ) fast efficient. Allow sharing and modification of objects and process declarations over networks as someone mostly performing metre-driven beat-based music! Include visual album and performance Collision Grounds with artist Anya Stewart-Maggs synthesis objects which can be waived it! And manipulation of patches during a supercollider live coding performance for an audience Windows, macOS, and researchers working with synthesizers. Does need to be done the Internet via open sound Control protocol hand. Beat-Based dance music, this can seem like an odd choice its client,,... Forum ; Getting Started lot of typing does need to be manually specified, which requires lot. Specifically built around rhythmic cycles, and Linux and process declarations over networks easy to better... Registration: this workshop if necessary looking music live coding networked visuals in the workshop propose proxy! On Space-Jump with a trombone 11 Nov'20 08:59 by expressing and constructing patterns! Any cli application with a Zoom event link a few days prior to the workshop when creating patterns basic need!

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