aea r44c vs r44ce

Even though it has the less expensive shell, the R44CE is a VERY great looking microphone, with more vibe to it that any other mic. For quiet sources such as acapella vocals and solo finger-picked acoustic guitar, many ribbon mics have too much audible self-noise. AEA’s R44C is a replica of the most famous microphone in the world — the RCA 44BX ribbon. Some people, not familiar with the ribbon sound, would probably at first think that this mic would sound dark Simply, the A440 is a phantom-powered version of the R44CX harnessing the JFET technology made popular in our RPQ2, RPQ500, and TRP2 preamps. Two passive models, The R44C and R44CE differ only from the details of the outer case. This isn’t always a practical solution. But as we all know, that's not enough to go spend 2.600,- In 2008, we released the A440 — a microphone at its core that is almost identical to the AEA R44CX, with the goal to set the standard for articulate musicality and quietness. The first sound that hits you, is gonna knock you right of your comfortable producer chair.. A staple in broadcast and recording studios when the first ribbon microphones were first introduced in 1930s, virtually every major recording artist has used RCA’s 44 ribbon technology. It comes in a red nylon covered hard case that allows for upright storage, and is accompanied by a +40 pages manual and a nylon "sock" for covering the mic when stored on the mic stand. To guarantee a consistent and full-range ribbon sound, we recommend AEA preamps like the RPQ2, RPQ500, and TRP2. Though passive ribbon microphones have incredible warmth, they come with certain requirements in order to reach their full sonic potential. Place it in front of your instrument, around the area where the neck ends, and you're in heaven. So, it looks great.. Vocals and drums.. doublebass and horns.. string ensemble and acoustic guitar.. Also, there can be intense noise issues on quiet sources. This color is very difficult to reproduce and has to be hand-mixed. When you buy products through links across our site, we may earn an affiliate commission. Even at unpacking this "beast" there's absolutely no doubt that you're dealing with extreme high quality gear. It was an extraordinary engineering effort to bring the latest technologies into the the old classic, while preserving its original sound and history. This is called the ‘X’ transducer mod and it was designed for scoring and other applications demanding a wide dynamic range with the “classic 44” sound. It was going to turn that color anyway over the years, RCA surmised. The R44C’s transformer case is black, featuring a black and chrome ‘meatball’ badge. Again, the basic microphone sounds virtually the same. Acoustic guitar, that sometimes can be a pain to record is so much easier with the R44!! The AEA R44C is an exact replica of the vintage RCA 44BX ribbon microphone, considered the most musical sounding microphone ever built and used on many of the most iconic recordings of the 20th century. Brass thumb nuts adorn the A440 while the R44C uses the classic silver. Vocals, and especially female vocals really comes to life with the R44.. Because of its high-output, the A440 alleviates this problem and allows you to use it on almost any source without noticeable noise. I've been working with all the vintage german mics, and I love them too.. The A440 requires 48-volt phantom power and provides an additional 18dB more output than the passive R44C. It's extreme looks, and the sound is just so amazing that I can only say, go out a try one and see for your self.. The mic has active electronics, using a custom German-made Lehle transformer. The R44CE is the value edition of the R44C. AEA’s first and original chief engineer, Dick Knoppow, who inspired Wes Dooley to start repairing RCA ribbon microphones, theorized that RCA chose the umber color due to users smoking in the studio. Both mics sound the same. Everything sounds so great, full and warm.. Never bright or harsh in any way.. AEA’s R44C is a replica of the most famous microphone in the world — the RCA 44BX ribbon. However, preamps above a 5K ohm impedance found in many live soundboards are adequate, though these preamps may be a bit short on gain for quiet sources. ©2020 AEA Ribbon Mics & Preamps, All Rights Reserved. The R44CE is the value edition of the R44C. Paint it umber, they said. But the R44 has given me more wow effect than any other gear has ever done.. So yes, it's no secret that I love this mic.. A staple in broadcast and recording studios when the first ribbon microphones were first introduced in 1930s, virtually every major recording artist has used RCA’s 44 ribbon technology. By 1998, AEA had acquired 100 percent of the interchangeable parts used within the original RCA 44. A high-impedance and high-gain preamp isn’t always the solution. The R44CE contain the same motor as the museum-quality counterpart, but use a less expensive shell for those who are interested in having that 44 sound, but would rather not pay for the museum-quality trimmings. I'm 100% sure that a lot of you are gonna fall deeply in love :-). The A440 represents the absolute best of everything we have learned from over 30 years experience with ribbon microphones. On scoring stages, often times the preamps are in the recording space near the microphones and musicians minimizing this interference. To overcome the preamp limitations of the R44, we created an active version — the AEA A440 — which includes the same JFET amplifier circuitry used in our preamps, allowing the microphone to be used with any modern preamp. The R44 delivers!! This centers around the preamplifier used with the microphone. We make several versions of the R44C. The R44CE contain the same motor as the museum-quality counterpart, but use a less expensive shell for those who are interested in having that 44 sound, but would rather not pay for the museum-quality trimmings. This is great for distant-miking applications in sound stages where the sources are very dynamic. It's a heavy piece of gear (4 kilos) so you'll need a high quality stand.. A hotrod adds an extra +6dB of output to either passive mic. Pairing any passive ribbon mic with a preamp that has a low input impedance can have a negative effect on the low-end, transient response and overall frequency response of the sound. If I could buy only ONE high-ish end mic, what should I buy. Interestingly, the body of the A440 microphone is a special classic RCA color called umber, which is kind of a reddish-brown color. The A440 wears a red badge, signifying the use of the ‘X’ transducer. Why umber? The R44C and A440 are also differentiated by their exteriors. Value for your money is the keyword here, and the R44 delivers.. That same year we debuted our R44 reissue — called the AEA R44C — using RCA’s original methods and techniques. Preamp gain for the R44C should be at least +60dB or higher and the preamp should have a high impedance of at least 1.2k ohms though we recommend an impedance as high as 10k ohms. I added the R44 to a drum session, and just placed it in front of the kit, and it captured the bottom end with so much energy and punch, and the cymbals and snare with a pleasing and natural sound with out using any eq.. Something that you often spend time turning knobs just to get close..

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